In the genesis of JKD Concepts and the inception of the JKD Phase Method, a pivotal conversation with Paul Vunak unraveled the fascinating journey of Dan Inosanto's pursuit to share Jeet Kune Do (JKD). The late 70s marked a transformative period, where style-centric martial arts communities resisted the integration of diverse teachings.
Paul Vunak provides a captivating account of the genesis of JKD Concepts, recounting a crucial conversation about Dan Inosanto's early seminar travels. In the late 70s, amidst a style-centric martial arts landscape resistant to diversity, Inosanto faced challenges sharing JKD. Paul, accompanying him on this journey, divulges how Inosanto initially leveraged Eskrima, a nod to his role in "Game of Death" with Bruce Lee, to break through the barriers.
During this era, Inosanto, eager to disseminate JKD, faced challenges. Paul Vunak revealed that Inosanto initially found an avenue through Eskrima, leveraging his role as the Filipino Martial Artist in "Game of Death" to teach seminars. However, it wasn't until later that Inosanto managed to seamlessly incorporate JKD into these sessions.
The struggle persisted, as the community resisted Inosanto's attempts to introduce stand-up JKD. Amusingly, Paul Vunak narrates how he introduced the Gracie family to Inosanto, adding a touch of hilarity to the narrative. During this period, Inosanto's entry point for teaching what he truly wanted to teach JKD, but the public wanted him to teach Eskrima. Paul recounts instances where Inosanto would start with Kali but seamlessly transition into JKD after captivating the audience with disarm demonstrations.
Vunak's narrative detailed how Inosanto identified gaps in stand-up fighting knowledge within the JKD community. This realization birthed the JKD Phase Method, a pragmatic approach to instructing close-minded stylists. The method involved cycling through different styles, including JKD, Kali, Muay Thai, Savate and Grappling, to address specific weaknesses identified during seminars.
As the seminar circuit unfolded, Inosanto identified weaknesses in stand-up fighting, prompting a focused approach on specific elements like Muay Thai and Savate. This laid the foundation for what would later be termed the JKD Phase blend—a pragmatic response to the closed-minded stylistic approach of the time.
The evolution continued as Inosanto diversified his teachings, emphasizing a holistic approach. Paul Vunak stressed the importance of learning combat flow across various ranges, venue to venue flow as he calls it, from weapons to empty hand, grappling, and mass attack. This integrated approach aimed to create well-rounded practitioners capable of navigating the complexities of real-world combat.
Vunak's philosophy advocated against compartmentalized learning, emphasizing the significance of understanding how different elements seamlessly connect. He argued that teaching individual classes in isolation might hinder the development of a complete JKD practitioner.
In recent years, this perspective has been incorporated into seminars and Intensive Personal Training Programs (IPTPs). The emphasis shifted towards a fluid transition between different combat phases—weapons, empty hand, grappling, and mass attack—fostering a comprehensive understanding of combat flow.
Paul Vunak emphasizes the importance of integrated learning, critiquing the segregation of classes that hinder combat flow understanding. Drawing from his experiences assisting Paul in seminars, the emphasis shifted towards a seamless transition between weapon, empty hand, ground, and mass attack scenarios, providing a holistic understanding of combat flow.
Contrary to misconceptions, the "JKD Blend" doesn't intend to homogenize martial arts but rather serves as the "JKD Filter." This filter simplifies and adapts various arts through a JKD lens, acknowledging the distinct identity of each discipline while enhancing their applicability in real-world scenarios.
The "JKD Blend" isn't a fusion of martial arts but rather a "JKD Filter" that simplifies and adapts arts through a JKD lens. Acknowledging the nuanced modifications, Vunak advocates for supplementing JKD with combat sports like Savate, Muay Thai, Boxing, and BJJ to enhance overall fighting capabilities.
In conclusion, the JKD Phase Method emerged not as a new martial art but as a strategic teaching method, an approach tailored to combat the closed-mindedness prevalent in martial arts communities of its time. Today, the legacy lives on through practitioners who embrace the JKD Filter, continuously evolving and adapting traditional arts to the ever-changing landscape of combat sports.
Erik Paulson's statement, "MMA is JKD," introduces a subtle nuance, emphasizing that while there's overlap, not all MMA is JKD, and inversely, JKD is not MMA. This narrative encapsulates the dynamic evolution of JKD Concepts and the underlying philosophy that transcends mere blending, giving rise to a comprehensive and adaptable approach to martial arts.